Archive for Uncategorized

RENT: A Musical Guru, but are High Schools ready for it??

We all know of the wonderful show RENT. Its vocal powerhouse song, the social awareness of aids, and also dealing with the topic of Homosexuality. I personally love this show, but are high school communities ready for this kind of entertainment. I know of a few high schools who are in the midst of rehersing for this mature show, and they have received some complaints already. There are lots of questions to be asked by parents like, “Will my son/daughter be kissing the same sex onstage?” or “Will ny son/daughter be saying the ‘F-word’??” Well, these are serious questions and I feel that there should be some changes in the script for the younger performers sake.

The Mikado

The Mikado, or The Town of Titipu, is a comic opera in two acts, with music by Arthur Sullivan and libretto by W. S. Gilbert, their ninth of fourteen operatic collaborations. It opened on March 14, 1885, in London, where it ran at the Savoy Theatre for 672 performances, which was the second longest run for any work of musical theatre and one of the longest runs of any theatre piece up to that time.[1] Before the end of 1885, it was estimated that, in Europe and America, at least 150 companies were producing the opera.[2] The Mikado remains the most frequently performed Savoy Opera,[3] and it is especially popular with amateur and school productions. The work has been translated into numerous languages and is one of the most frequently played musical theatre pieces in history.[4]

Setting the opera in , an exotic locale far away from Britain, allowed Gilbert to satirize British politics and institutions more freely by disguising them as Japanese. Gilbert used foreign or fictional locales in several operas, including The Mikado, Princess Ida, The Gondoliers, Utopia Limited, and The Grand Duke, to soften the impact of his pointed satire of British institutions.

Roles

Durward Lely as Nanki Poo
  • The Mikado of Japan (bass)
  • Nanki-Poo, His Son, disguised as a wandering minstrel, and in love with Yum-Yum (tenor)
  • Ko-Ko, The Lord High Executioner of Titipu (comic baritone)
  • Pooh-Bah, Lord High Everything Else (bass-baritone)
  • Pish-Tush, A Noble Lord (baritone or bass-baritone[29])
  • [Go-To, ''A Noble Lord''] (bass)[30]
  • Yum-Yum, A Ward of Ko-Ko, also engaged to Ko-Ko (soprano)
  • Pitti-Sing, A Ward of Ko-Ko (mezzo-soprano)
  • Peep-Bo, A Ward of Ko-Ko (soprano)
  • Katisha, An Elderly lady, in love with Nanki-Poo (contralto)
  • Chorus of School-Girls, Nobles, Guards, and Coolies

All info received from:http://en.wikipedia.org/wiki/The_Mikado (active)

“In The Heights” A real ‘Feel good’ show!

In the Heights is a new musical about three days in the life of Washington Heights, a vibrant and tight-knit community at the top of the island of Manhattan. It’s a place where the coffee from the corner bodega is light and sweet, the windows are always open, and the breeze carries the rhythm of three generations of music.

In the Heights comes to Broadway after a successful run at off-Broadway’s 37 Arts. It was nominated for the 2007 Drama Desk Awards for Outstanding Music and Outstanding Lyrics and won the 2007 Outer Critics Circle and Lucille Lortel Awards for Outstanding Musical.

From the same producers who brought us Rent and Avenue Q, and created by a team of New York’s freshest young talents, In the Heights is the hip, modern and completely unique tale of a community at a crossroads.

HELLO WORLD!

Hello to all you broadway kids, and thespians who are looking for fun and excitement in the arts. You came to the right place. I hope you find inspiration and happiness in this safe and open environment. SO,

“Y’all Come Back Now You Hear!”

(from: The Best Little Whorehouse in Texas)